Artist | Facilitator
In what looked like my first real weekend since the start of February, I gave myself 36 hours of solitude. This decompression was long overdue. We've seen the list of things I got up to in the last four months. I finally bounced back from that mystery virus 15 April, and immediately, things were non-stop… Continue reading 36 hours of solitude; slowing right down
"...you start and you have to finish somewhere. And my time to finish..." - excerpt from Yesterday Tomorrow Here Today And here I am, back in Adelaide, and Plenty opens tonight. My last project for 2018, and I am in excellent company. And I have so much respect for Toby Chapman. He's put together a… Continue reading Yesterday Tomorrow Here Today / a year’s end
I'm writing this from Bendigo. One week since Dan and I pitched Salt Water Bay in person. Three since the submission of all the paperwork, and my housewarming heartwarming party. Two months and a week since I've been in this home. Four months and a week since the marriage ended. The "and a week" makes… Continue reading Exhale
In the middle of my year at VCA back in 2010, in my youth/self-doubt/feeling like a fraud-questioning my training, my practice and the lack of - and all the things that whirl about in your brains and body as a post-grad, I asked the wonderful Leisa Shelton, “is concept form?” She answered, “Do not give… Continue reading In ways possible
"I want to see you make a work out of your practice, and a practice out of your work." Wisdom passed down from mentor to friend. And I ponder this on a balmy Darwin night. It has been exactly a month since Ben decided to end our relationship. And I have found that it is… Continue reading May my practice be true
Last week, I had to say no to a gig because there was simply too much on. In this period of existing and new work being plotted and made, applications being drafted and submitted, weekly practice, day job hours, interstate travel, and good old life admin, it took me a while to weigh it all… Continue reading When it rains, it pours
Dan Koop and I are working together again! We have begun delving into a weekly practice to create new work - and we’ve already had some wins. FLUX-KIT-MEL has been launched as part of National Gallery of Victoria MEL&NYC program. This collaboration is underpinned by our relationship since The Stream / The Boat / The Shore / The Bridge,… Continue reading New/old collaborations | DK&JL
